 The romantic ballet in Paris.
Author: Guest, Ivor Published: 2008 The age of Romanticism in the first half of the nineteenth century was one of the greatest periods in the history of ballet. In a span of two decades ballet became what it had never been before, a major theatre art, gaining new vitality and meaning from the ideas of the Romantic movement which rapidly infiltrated each one of its component parts: scenarios, music, décor, choreography, and dance style. The main centre of the Romantic Ballet was the Paris Opéra, and its high priest was the poet Théophile Gautier, who wrote the scenarios of Giselle and other ballets. It was he who explained the dual nature of the Romantic ballet so succinctly by contrasting the two rival ballerinas, the spiritual Taglioni and the passionate Elssler, as a Christian dancer and a pagan dancer. These and many other stars of the Romantic ballet, as well as the choreographers, composers, designers, and balletomanes of the time are brought to life in a colourful panorama of this great age of French ballet, from 1820 to 1847, which Ivor Guest has skilfully set against the social and historical background of the time. This detailed and definitive study, first published in 1966 and here completely revised and updated, is based on an exhaustive study of the archives of the Paris Opéra and printed and pictorial sources of the time. The handsomely produced hardback book runs to more than 500 pages, including 48 pages of black and white illustrations and a colour frontispiece. |
