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Symposium on Popular Dance and Music

20 October 2007 - University of Surrey

The Department of Dance Studies and The Department of Music and Sound Recording at University of Surrey in collaboration with The Society for Dance Research

SYMPOSIUM ON POPULAR DANCE AND MUSIC

Saturday 20th October 2007

University of Surrey

Programme and registration form

Programme

Theresa Jill Buckland: Dancing Out of Time: The Forgotten Boston of Edwardian England

Inger Damsholt: Slow, Slow, Quick-Quick: Polymetric Choreomusical Relationships in the Popular Domain

Clare Parfitt: Revolting Bodies: Popular Dance and Mass politics

Hettie Malcomson: Danzón: Music and the Reinvention of a Dance Tradition

Timothy Wise: Beguines in Outer Space: Dance Rhythms and Affect in Mass-Mediated Popular Music

Anne Fiskvik: From Traditional to Popular: A Choreomusical Analysis of ‘Hallingdans’ in the Norwegian TV Version of ‘So You Think You Can Dance’

Joanna Louise Hall: Boys, Bass and Bovver: Dance Movement and Identity Construction in England’s Drum ‘n’ Bass Club Culture

Rob Lindop: Does Electronic Dance Music Make Sense Away from the Dancefloor? Issues of Function, Creativity and Intention in the Psy-Trance Scene

Rachel Duerden and Bonnie Rowell: An Altogether Different Story: Challenging Stereotypes in ‘Dance at the Gym’

Eloisa Leite Domenici and Danielle Robinson: Popular Dance in University Dance Programs-An Intercultural Dialogue about Dance and Education

Kirsten Harvey: Jazz Music and Dance in America during the Twentieth Century: The Art of Jazz Dance Improvisation

Brain Harker: Trumpeters and Dancers in Early Jazz: A Forgotten partnership

Vicky Spanovangelis: The Concept of Improvisation in Greek Folk Music and Dance

Helena Hammond: Hytner's Home Movie: Broadway, Balanchine and Belonging in ‘Centre Stage'

Call for Papers

From the ragtime era of the early twentieth century through to the recent practices of contemporary club cultures, dance and music have been inextricably linked in a diversity of contexts that include the film and television screen, bars, ballrooms and dancehalls, street sites and the commercial stage.

While there is a long tradition of scholarship within the disciplines of Dance and Music Studies that focuses specifically on ‘art dance and music’, it is more recently that scholars within these fields have called into question this canonical paradigm through interrogating dance and music practices located in the popular domain. Even then, there is little research that addresses the dance-music relationship.

The symposium committee invites proposals from researchers and practitioners working broadly in the areas of popular dance and/or music as a means to illuminate both shared and divergent issues, theories and methods.

DEADLINE FOR SUBMISSIONS

Friday 22nd June 2007

Symposium Committee: Sherril Dodds, Tim Hughes, Clare Parfitt, Patricia Schmidt

Guidelines for Proposals

1. Format

• Presentations may take the forms of papers or lecture-demonstrations

• Presentations should not exceed 20 minutes in length

2. Abstracts

• An abstract of 300 words that outlines the research area and key issues within a clearly articulated methodology is required

• An indicative bibliography of 4-5 key texts should be included

• The name of the speaker and the title of the paper should also be enclosed on a separate sheet of paper as the abstracts will be blind reviewed

3. Further information

• If speakers intend to present a lecture-demonstration, please indicate what your space requirements might be for this

• Please identify any AVS equipment that you might need for the presentation: Video/DVD playback, data projector, OHP

4. How to apply

Please send the following information to the symposium committee by Friday 22 June 2007:

• Abstract (including title)

• Bibliography

• Name and title of paper on a separate sheet of paper

• Contact name address and telephone number

• AVS needs

Please send the above information either by e-mail or in hard copy to:

Dr Sherril Dodds, Symposium on Popular Dance and Music, Department of Dance Studies, University of Surrey, Guildford, Surrey, GU7 7XH.

S.Dodds@surrey.ac.uk


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